Chinese Cinema Case Study Example | Topics and Well Written Essays - 2250 words

Chinese Cinema - Case Study ExampleYimou began his career by making films thate looked at the past, present, and the future through a futuristic eye. He emphasized a lot on the resilience, even the stubbornness, of Chinese people in the face of hardships and adversities. The films dared to deconstruct China and reform the culture. His primitively films appear to be influenced a lot by his background and the life struggle. However, it is quite surprising to observe that Yimou has changed his track completely to make some moral philosophy fables and period martial art movies. The message from these movies also was quite confusing, considering his previous reputation as a dissident filmmaker (Salazar).Zhang Yimou was born in 1952 in the Xian province of China. He grew up in socialist China where class struggle dominated life and literature. His father and brother were associated with the Kuomintang (Nationalist party). So, as a child, Yimou suffered stigmatisation and ridicules. The C ultural Revolution of 1966 forced him to quit studying and start working as a farm hand and laborer. Meanwhile, Yimou developed interest in pic and amateur still photography. He used his portfolio of photographs to gain admission to the cinematography department of the Beijing Film Academy in 1978. In the film academy, Yimou was capable to art films by various European, Japanese, Chinese, and American directors, including Fei Mu, Kurosawa, Tarkovsky, Antonioni, Scorsese, and Truffaut. He graduated from the film academy in 1982 along with stalwarts such as, Chen Kaige and Tian Zhuangzhuang. The influence of these art films and such compatriots can be seen in all of Yimous early films.Yimou started his cinematic career as a director of photography (One and Eight, 1984). In this very first venture, his preposterous rumornt was highly visible. He shot his pictures from obscure angles and captured the color stock as though it were black and white. He positioned the actors at the sid e, rather than at the relate to improve the dramatic effect. He also used unique optic styles, based on the asymmetrical and unbalanced composition of the shots.Earlier Films - Theme and the cinematic VisionIn 1987, Zhang Yimou embarked on his directorial debut, Red Sorghum. The movie brought Yimou a lot of critical acclaim and catapulted him into the forefront of the worlds art directors. The film had a lot of riotous images, though the plot was simple and short. It told the story of Jiuer, a poor girl who is sent by her parents into a pre-arranged marriage with a much older man. Thereafter, the tale revolves around the life and struggle of Jiuer and finally her tragic end. The movie is very different from the faster and cheaper forms of Hollywood color films, primarily because of its strong melodrama and the overwhelming visual quality. The cinematography splashes its passionate colors all over the screen with abandon. The visual impact of the film is voluptuous. Yimou has used the red color as a symbolic representation to represent passion. For Jiuer, the red of masculinity dominates the wedding sedan, the wild sorghum, the sorghum wine, and the fire that consumes her at the end. Red Sorghum breaks cultural taboos against representing female orgasm, ecstasy, and reproductive continuity onscreen. intrepid close-ups of the heroines face, such as in the wild-sorghum abduction scene were new in mainland Chinese cinema. However, Yimou showcases female desire as